To some the new FCPX may seem a bit confusing due to it’s complete change in lay-out and way of working and thinking.
If you are used to having separate audio and video tracks, like in FCP7, you can find yourself getting frustrated in how to do your audio mixing and fine-tuning.
In FCP7 it is very easy to open the Audio Mixer and mix the tracks using the mouse for single tracks or stereo pairs and record the fader moves as keyframes.
You can imagine this is very pleasant to work with, for example using the earlier discussed V-Control Pro app for iPad and iPhone.

Here we will show you the way that gives you full control in the audio editing/mixing process within Final Cut Pro X.
Each Video clip had audio married to it, it is connected appearing to be a single unit, of course this is also done to save confusion for people not acquainted with the concept of handling audio and video separately.

But for the ones who need to have separate Audio and Video, simply highlight a clip, or clips in the Timeline and choose Detach Audio from the Clip menu or use the ctrl+click and select the Detach Audio option.

You can now see a single audio track and above it the video track. Separate the audio simply by dragging to see if it is detached.
Note: be careful with this because it is a delicate business detaching Audio and Video

If you select the audio track in the Timeline and open the Inspector (Window/Go to Inspector) you can see the options for this Audio track like Volume and Pan.
When selecting the audio track and ctrl+click and Open in Timeline you will find also the Channel Configuration in the Inspector Window, letting you choose between Dual Mono, Stereo and Reverse Stereo, as well as the option for (de)activating the separate Channels.

But what if you really want to edit the audio as two separate audio tracks. The default for earlier versions of Final Cut Pro was 2 tracks, whereas Final Cut Pro now only provides a single track.
For this to be done stay in the TImeline where we left off and use again ctrl+click, this time select Break Apart Clip Items.
Note: this also works without needing to Detach the Audio from the Video.
Simply select the Clip(s) in the Timeline and ctrl+click Open in Timeline, then choose the Break Apart Clip Items option.

Now you are ready to edit the 2 separate audio tracks, and you can edit them as you wish, as separate tracks, razor blading, keyframing and so on.

To return to the complete timeline of your edit, the project, just use the back arrow on the top left of your timeline.
This gives you full control over your audio in FCPX.

The drawbacks of FCPX and Audio.
Being said there are things that make the earlier versions stand out in editing audio.
What if your record with for example an XDCam and find yourself with 7 mono channels, there is simply no way to separate them and edit them like you would in the Earlier versions of Final Cut Pro.
Also when you use the Opening in Timeline option to edit your audio you cannot hear the other Audio from the project, making it sometimes difficult to do precise mixing.

Be sure to keep Final Cut Pro version 7 next to the new version when you are going to do heavy editing.
Trimming, Color Correction are way better then the earlier versions but the Audio still needs some tuning in this great Video Editor.

Tutorial video:

Watch more on our video's page!

Hopefully this was a helpful insight in the Audio Editing possibilities in the new FInal Cut Pro. Keep tuned for more insights here on Broadcast Brazil.

And more practical links:
Direct link to Apple FCPX
And the free version of V-Control

Be sure to check us and Like us if you want on Facebook, follow us on Twitter and Subscribe to our YouTube channel.
Lot's of news, photo's and info for broadcasters, webcasters and mobile producers in Brazil.

by Niek van Esch

Tags: FCPX, Final Cut pro X, App

Be sure to check the Broadcast Brazil Facebook page.
We will be giving away one free redeem code for the V-Control Pro version with the value of $49,99.
So like us and share the article post on Facebook to make a chance on this great app.

So let’s kick off the first article with a very well known control app called V-Control Pro from Neyrinck.
It is a control app that is specifically made for controlling DAW’s like Logic Pro, Final Cut Pro, Pro Tools and Cubase. It works by defining MIDI-controllers like sliders, buttons, rotaries and knobs and connecting them to parameters like filters, EQ, etc, in your application.

Neyrinck is talking about possibilities for Android and multiple iPad control, for now there has not been announced any specific date or more detailed information.

Starting with Logic Pro
Installing
First off let’s start with the install process.

V-Control uses the iPad’s Wi-Fi capabilities to communicate with your DAW, so make sure the DAW computer and the iPad are connected to the same
local area network (LAN). Making a computer-to-computer network, or having you host computer using a wired connection can even better the functionality.
In the review we simply use them both wireless on the same network.

On this link you can find the Ney-Fi program, this is a free utility that you need to install. It creates a virtual software MIDI port for the D.A.W. software to communicate with V-Control over your network. This utility must be running so V-Control can detect the DAW

trick: Put the Ney-Fy in your program start-up so you don’t have to think about it every time you use V-Control.

HowTo:
For the Windows installer:
-Launch the "Ney-Fi Setup.exe" application to install the Ney-Fi app,
MIDI driver and runtime libraries.
-The runtime libraries installer is a separate installer that you will
need to authorize. Make sure to also install Bonjour if it is not
already installed.
Link to Bonjour download

For the Mac Installer:
-Double-click the downloaded installer to unzip the downloaded
installer package, if Safari has not automatically done so.
-Double click the “Ney-Fi.pkg” icon to launch the mac installer
-Follow the installer’s onscreen instructions to complete the
installation process

Now let’s get to the good part, getting it to connect and work.
Advised is to have Logic updated to version 9.1.6, but we are testing also with a lower version for people that don’t work with Lion yet, and no problem at all.
So did you already download the App? If you prefer to try it out first, there is a free version available here, of course this version doesn’t have full functionality.

Tip: disable the Bluetooth function on your iPad, this may help with a better connection

Setting it up for the first time:
Launch Ney-Fi
Launch Logic
Launch the V-Control App
In the settings screen of V-Control, select the “computer” tab and then
select the computer that Logic is running on
In the “DAW” tab, select “Logic”
Since V-Control acts as a “native” Logic control surface, Logic should
automatically detect the V-Control app as a valid control surface once it
has finished launching
Logic will then display a message that it has detected a new control
surface called “V-Control” and will offer to add it to its list of supported
control surfaces. Click “OK”
At this point, the computer running Ney-Fi will be available to choose from
in the computer table that is located in the settings window. V-Control and
Logic will now have complete bi-directional control of each other.

IMPORTANT NOTE: When Logic presents the dialog box that it has detected
a new control surface. It will offer a checkbox option that says “Do not display
this window again”. Checking this box will turn off the automatic discovery
process of new control surface and thus turn off automatic installation of
control surfaces.
DO NOT check this box! It is very important to have Logic always
automatically detect attached control surfaces, in order for V-Control to work
correctly with Logic.

The Main Screen
So now let’s see what V-Control can do. For this review we grabbed a pop/rock song with some guitars, vocals etc to have a good view on it’s possibilities.
Since this is a little bit a technical review we will be passing a lot of detailed information about the app.

The basic layout consists of 8 channel strips which all have their own Name Display, which is very important not to get to messed up when working on 24 or more tracks.
You can simply select these channel strips by touching the track name.

Automation Mode under the channel name let’s you choose all the basic functions like Off, Read, Touch, Write and Latch.

Rotary Encoder This knob allows you to adjust both channel panning,
as well as auxiliary send levels 1-8, for the corresponding channel. Their specific
function is selected using the “Pan” and “1-8” buttons on the right hand side of
the interface.

Under the rotary you find the Mute (M),Solo (S), Input Monitor (I) and Record (R) buttons with their specific functions in Logic.
Of course a very important function is the fader for control the signal levels of the tracks. The iPad has a multi-touch interface which makes it possible to adjust multiple faders at once, just like on a real hardware mixer. A very good thing is when adjust a level on one of the faders, the actual dB level is shown above the fader cap, so you always have a good indication. The Level Meter is very accurate in displaying the signal level of the audio channel.

When you are working with multiple channels you might want to switch rapidly to other channels, there are 2 options to do this, using two fingers you can swipe left or right to switch 8 banks at a time. When using one finger, swipe left or right to bank one channel at a time. When keeping your finger down you can continue dragging to increment more then one channel.

Tip: touch the surface area above the fader, not in the area of the fader cap!

Trick: Swipe left or right on the time counter to issue a jog/shuttle command to
the transport. This allows you to move the play head and jog/shuttle the session
audio.

Next to the time counter you find the pop-up button which shows you extra controls like choosing your counter, setting markers and enabling auto-punch.

Next up are some well known functions like Loop, Metronome, the Left and Right buttons that let you move your playhead to the current mark-in and mark-out points. The rewind and forward buttons let you head backwards or forwards by one beat each touch you give.
And of course we have the Stop, Play, Pause and Record functions.

Trick: you want to have big transport controls? Open the Transport pop-up button and choose Big at the counter functions.

Now you can already find your way in the basics of V-Control for Logic Pro, but there is more..........way more!
Maybe you think, did they forget that button on the right bottom side of the program that I’m seeing? No, we haven’t, now comes the good part!

Clicking this you will see the Edit window with options like choosing your Screen Set, the possibilities of cutting, pasting etc. the automation section where you can toggle on/off all these amazing functions.
option of turning on and off the Windows is great, if you often open the environment window, but never want to have it statically in front, this option let’s you simply do that.

Now for sure you have seen the fullscreen button on the top left side of the Edit window, and next to that their is another button with 3 block, there is some nice stuff behind that button.

V-Window
The V-Window, this is simply an amazing extra they put in V-Control since their last update. It let’s you simply pick which program you want to see in V-Control by clicking the select button and select. So then what is so nice? You can control whatever you select. Under here a picture of the EVB3 plugin from Logic, now that is handy when you are far from your D.A.W. but you still want to do something about the sound.

Plugin
It simply shows you the controls for the plugins you are using in each channel, just select you channel and you are able to control everything. The buttons let you switch between more pages of controls depending on plugin.

Tip: double tapping a rotary changes the control to its minimum position, double tapping again puts in in the maximum position.

Instrument
You already guesses it, control the parameters of your software instruments, controlling the Pedal Sustain of the EVB3 is a piece of cake like this.

Live
So this was all studio talk, but what if you are in a live situation and wanting to use some plugins from Logic Pro live with you master keyboard and controlling the instrument parameters with your iPad. With a computer-to-computer network this works like a charm.
Can you imagine all the possibilities of starting loops from your iPad, or record and control the audio from your own gig.

Still reading and getting interesting in the Video section of this article?
When asking for a possibility for controlling Final Cut Pro, Paul Neyrinck himself mailed with information about a soon to come update, that was two weeks ago, and guess......you now can!

Note: V-Control only works with FCP 5,6 and 7 because of the changed control surface protocols made for FCP X

So here comes an extra part for all the video-editors out there, controlling Final Cut Pro

Installing
The basics of the install are equal to the above installing instructions given for use with Logic Pro.
After you have installed Ney-Fi launch the V-Control app on your iPad, it is very important to launch before opening FCP. After it is opened, launch FCP.
Next in the Tools menu in FCP you select “control surfaces” and in this list of options select a “Mackie Control”.
Select V-Control as the midi in- and output ports for your selected surface and close the configuration window.
In the settings screen of the V-Control app connect with the computer running FCP and in the DAW tab select Final Cut. They should be automatically connected.

Important: Do not forget to open the “audio mixer” in the tools menu in FCP and to leave it open, if not the V-Control app will not respond and recognize the control surface!

The Main Screen

On the top part of the screen you will see names like A1, A2 etc... these are your audio channels, which have of course the well known pan rotaries, mute (M) and solo (S) buttons and faders. On the right hand side you will also see a Master Fader which controls your total audio.
There are 8 channels per bank, the banks can be controlled by swiping or using the button on the left bottom side next to the settings button.
A great thing here is that the iPad supports multi touch, so you can easily control more then one fader at a time.

Trick: Double tap the fader to return the audio track to Zero

There are two faders modes in FCP, which you can select in the right top of the Audio Mixer window, if you turn the “Record Audio Keyframes” off whenever you adjust the fader level and let go of the fader level, that level is maintained throughout the clip.
Each time you pass over a clip the faders jump to show you your levels, which is even better then a hardware mixer where all the faders keep moving around.

When turning the fader mode on, every fader move you make will be recorded as Keyframe audio level automation.

On the right side you will see also the basic “save” and “undo” controls as well as the “enter” button which functions as a keyboard Enter command, while the “cancel” button has the Escape key function from the keyboard.
The up-down and left-right keys are the same as on your keyboard. The up-down keys let you move to the next and previous clips. The left-right keys move one frame at a time.

Controls on the Bottom
The transport window as many people call it.
It is pretty straight forward and has all basic functions needed for controlling FCP.
We already checked up on the two left buttons, the “settings” and “banks”, so guess what the “BIG” button does? Yes it shows your timecode very big on the screen, very handy.

Next to the Time Counter screen you will find the following buttons. The first two let you jump forward or backward between markers in you sequence, great! Coming after that is the “go to start” button with next to it the Rewind/fast forward buttons, which increase speed by tapping on them. After that comes the “go to end” button and of course we cannot miss the play and stop buttons.

Note: The Transport Section will operate in the Viewer, Canvas or Timeline, whichever is in focus

Shortcut keys
There are to many options in this window to name them one by one, that will make a very long article.
You find 80 separate customizable shortcut keys. They can be assigned within Final Cut to the functions of your choices, and they can also be assigned custom labels.

The shortcut keys work as follows:

They are set up as a group of 16 softkeys, which correspond to the F1-F16 keys on a computer keyboard.

Alternate sets can be accessed by pressing one of the four latching modifier buttons, which are situated left of the 16 softkeys. When pressing one of these four buttons the interface will switch to another set of 16 softkeys

You can assign custom functions to the keys selecting Tools/Keyboard Layout/Customize from within FCP. The use this “custom keyboard layout” window to map the functions to the desired keys.
When pressing and holding one of the softkeys you can access al the options for assigning the shortcut you want

Hint: When you have favorite effects you use a lot, you can assign these to the softkeys, making your life a lot easier.

V-Window
You might remember our reaction for this option in Logic Pro, in FCP it is the same thing. One of the things many editors don’t like to do by mouse is using the color corrector. Now you simply can do this in the app using the v-window, and that works very smooth!

Total Opinion
Eschtudio is a production studio, most of the work is done in one room, recording the guitars, bass and pianos etc. The V-Control is extremely practical for this.

Most of the time when recording an acoustic guitar, with two microphones around yourself and no one to push the record button apps like these are an incredible good solution, it is a portable wireless controller, even multi-touch functioning.

Besides this it works very smooth and has a very fast response, even when working completely wireless with the D.A.W.

For video editing this app is extremely useful and it works flawless, and that being the first update with this option for controlling FCP in it.
Besides that it saves a huge amount of time because of the customizable workflow.

When you are one of those “only” hardware freaks, this is a good alternative without spending too much money, Most people don’t like to control faders with a mouse, and to control with your fingers is actually very natural, so even for you guys this works perfect.

Most DAW’s support the function to use hardware controllers along side V-Control

All the functions are very well displayed and organized, after checking V-Control calmly you realize that everything you need is simply there, even the controls for your plugins and software instruments.

Tutorial video:

Watch more on our video's page!
In terms of usability this app earned a place in the top 10 list for mobile control on the iPad, worth a shot!
And if you think....not convinced yet, don’t worry there is a free version available in the app store so you can check it out, test it, and convince yourself.

After reading about audio and video of course there is also some great viewing material available on the Neyrinck website.
Four videos talking about the V-Window, Logic Pro, Final Cut Pro and an overall review.
Be sure to check them out!

UPDATE 17 august 2012:
NEW IN VERSION 1.6 Aug 13th 2012 - New DAW Modes
Adobe Audition, Digital Performer and Media Composer
New MIDI Driver for Improved Window Support
New retina hi-definition graphics for iPad 3


UPDATE 22 februari 2013:
New in Version 1.7

Jog/Shutte Wheel - All DAW modes have a jog/shuttle wheel. 
Audition, Final Cut 7, and Media Composer have fixed wheel in the user interface. 
All other DAW modes have an optional wheel. 
Two-finger double-tap the mixer to show/hide the jog wheel for all other DAW modes. 
Two-finger drag to quickly activate shuttle (Pro Tools, Logic, Cubase, Final Cut, Media Composer, Audition) 

Preferences - New preferences section is displayed in Setup popover 
Optionally place transport at top of screen 
Optionally disable transport controls 
Optionally disable fader double-tap 
Optionally set for transparent jog wheel display 
Optionally set for Cubase +12 dB max gain 

Draggable Multi-Panel - The multi-panel window can now be dragged and placed anywhere. 

Smarter Multi-Panel - The multi-panel window now remembers which mode is selected. 


UPDATE 14 november 2014
New in Version .8

Adobe Premier Pro Support
Logic X Support
OS X Yosemite
iOS Compatibilty
V-Control Pro 1.8 is compatible with any iPad running iOS 7 or iOS 8. Apple's first-generation iPad is not compatible with iOS 7 or later. If you use a first-generation iPad you must use V-Control 1.7.


And more practical links:
The Neyrinck Website
Direct link to App Store for V-Control Pro:
Direct link to utility Ney-Fi
And the free version of V-Control

Be sure to check us and Like us if you want on Facebook, follow us on Twitter and Subscribe to our YouTube channel.
We will be giving away one free redeem code for the V-Control Pro version with the value of $49,99.
So like us and share the article post on Facebook to make a chance on this great app.


by Niek van Esch

Tags: Audio, mixer, daw, IPad